In 2009 Power Rangers RPM ended with a shot of main villain Venjix trapped in one of the team’s morphers. It was an ominous cliffhanger to end the season on, one fans have hoped for years would get some kind of resolution. Well, over 10 years later, it finally happened. The last two episodes of Power Rangers Beast Morphers not only brought back Venjix but also revealed he was actually Evox, the Beast Morphers’ main nemesis, all along! Along the way we even got the return of RPM mentor Dr. K and Col. Truman! When most shows are wrapping up their seasons, the first thought isn’t, “hey, let’s resolve a cliffhanger from 10 years ago” It’s even harder when you’re a director coming in who’s never seen the season that cliffhanger was from. Still, Simon Bennett rose to the challenge and, especially in the episode “Source Code,” delivered a fantastic tribute to RPM. We sat down with Simon just before the finale aired in America to discuss bringing this long awaited story to screen. SIMON BENNETT: I dipped into and watched some episodes of RPM, mainly so I could find out who Dr. K was and how she operated within the show. I’ve worked with Olivia Tennet on a lot of other shows and I know her work well, but I wasn’t familiar with RPM as much as I needed to be. I immersed myself on Netflix with a whole lot of RPM episodes. Also Andrew Laing, who voiced Evox and Venjix, is a good friend of mine so he had some stories to tell as well as I was in prep. Was there ever any effort to get more of the RPM cast, or was it always just going to be those few? I don’t know the answer to that because I was delivered the script that was completed. I know that the planning of this had been going on for a very long time, and it’s very much a Chip (Lynn) question. It’s not something I know the details to. It was great to work with James on that one scene, and he had a fantastic gravitas that he brought to proceedings. There were a lot of standout performances in these last few episodes, but the scenes with Abraham Rodriguez and Olivia Tennet were especially fantastic. Can you talk about working with those two actors for those scenes? We had luxury with those scenes, and also there were a couple of scenes in the finale, where we actually had significant dramatic two headers, and that’s a very rare thing for Power Rangers. Usually you’ve got up to 10 actors in a scene and it’s all about running in, confronting a monster, starting to fight, and it’s action-based. There are a whole number of ingredients that get shoved into those 22 minutes. So having the luxury of being able to rehearse and spend a bit of time with the actors on shaping and crafting significant character scenes was a luxury. That’s kind of the material I’m more used to. Prior to Beast Morphers, I’m very much a drama director, so I had to learn a huge amount about action and visual effects coming aboard with Beast Morphers. But working with actors on crafting a dramatic scene is something I’m very familiar with and enjoy doing a lot. What was it like for Olivia Tennet to come back to set after all these years? I think she really enjoyed getting back into the wig, because some actors, it’s a physical thing that can help trigger the memory of a character if they’re reviving a character they’ve played from a long time before. You put her in that wig and there’s Dr. K. She’s a lovely actor to work with. I did a show called Maddigan’s Quest many years ago where she was 14, she was a child actor back then. She’s also a accomplished choreographer. She choreographed the ‘It’s Great To Be Human’ musical number in an earlier episode. No way. How much of that was in the script, how much was that the direction, and how much was that Olivia putting in her performance for that? I’d say it’s 95% Olivia. She’s one of those actors who’s so experienced that all a director can do is just nudge ever so slightly from time to time, because she knows exactly what she’s doing. Going back a bit, you also directed the episode ‘Making Bad,’ which was a clip show. Typically Power Rangers clip shows are Christmas and Halloween episodes, but this season it wasn’t. Do you know why it was changed up to bridge the team-up episodes? I’m not entirely sure what the rationale behind that decision was. Other than it was maybe a, lets shake things up a bit, and see if we can find a different story reason to trigger the clip shows this time around. Which I suspect may have been the case. When you’re shooting or directing a clip show, it’s a lot of people standing around, a lot of people talking, reacting to a thing on a screen. How do you make that interesting as a director? The few occasions I’ve worked with second unit, there’s a language challenge because the performers are Japanese so it is an interesting experience. But in this case, I got to shoot the interesting bits, which was all the diamonds heist stuff, and Ravi’s detective work, and the Ranger pieces. So I got to do what, for me, is the fun side of things. One of the tricky things with that material was that the footage that we used was old. So it was four by three format, standard definition. And we had to shoot it within a frame on a monitor because the resolution wasn’t good enough to actually be able to blow up to fill the screen. So there’s that kind of frame within the frame device. Obviously the team behind the scenes had to redub a lot of that. Do you know why some of the things were redubbed or why you didn’t use the original audio? I’m not entirely sure of the reason why. I suspect it’s to do with the fact that we needed to edit the footage. We actually didn’t have editable masters. So the music would have jumped obviously at the point that you make those cuts. From a technical production point of view it was necessary to rebuild the audio tracks from the start. I also suspect that the quality of what was available, which would probably have been just the consolidated mix, that was not up to modern technical specifications.
